Good old basic log cabin blocks

My new project is one that I have been wanting to do for a long time, the basic log cabin block. That doesn't mean my layout will be basic, but I won't know that until I have made lots more blocks. I may still add one more row of logs since this block will only finish at 7" right now. Then it would finish at 9". In a log cabin block the center is typically red or a dark color anyway but I want the larger side of the block (the one with the last 2 strips) to be light so I started with a light center. I want this to be a spring log cabin. I will make some blocks with even lighter darks.

I used some more of the pencil boxes that were on sale to store each of the sizes of logs and centers. I put a piece of scotch tape on the box and wrote the number on it. When the project is over I can remove the tape and have an unmarked box.

It is warm this morning and light rain. We are in for colder weather after today but at least it won't be the snow that so many other places got.

Light strips cut

I finished cutting the light color batik strips last night. They look so pretty folded like this I hate to cut into them. Here is the progress on my Christmas cactus: 2 blooms open and 14 (yes!) buds. The next 4 should all open at about the same time so I'll show it then. This is the most flowers I have ever had on it in the 10 or so years I have had it.

Marilyn gave me an award last week, and I don't usually participate in them. I was especially touched with the reasoning behind this one. It was to be awarded to blogs which show great attitude and/or gratitude. When I started this blog I decided it would always be upbeat and my favorite saying is "If you give away a smile you will get one back". I want you all to know that every day's post is a smile for you, the reader, and you have given me back many smiles with your comments. So, thank you Marilyn, and thank you readers.

In the Sunday magazine with the newspaper was an article about fingers. It said if your ring finger is longer than your index finger that you tend to be good at math. My ring finger is longer and I am good at math, but it also said you would be good at sports. Unless quilting can be considered a sport, that one doesn't hold true for me. I am as clumsy as they come.

I'm a winner!

I was a winner in Julie's drawing for her 200th post giveaway. It has one of my favorite Bible verses on it and it is hand embroidered. I love hand embroidery. Thank you, Julie.

Someone asked about the templates I was using on the Strips 'n Curves quilt. Here are Basic sets 1 and 2 which I used all of.

This is the mini beg and borrow 6" block set which I used 3 out of to make the small purple print arcs. Here are some blocks made from the set too.

I pulled a pile of light color batiks to cut for my 1.5" strip project.

And here is what is still on the shelves that didn't make the cut.

I am always talking about the clean up cuts that I use in my crazy piecing, cobblestone blocks, and strip pieced set (like in my Second favorite quilt on my sidebar). They are the piece I cut off to straighten the fabric so I can cut my 1.5" strips. I always cut off a wide enough piece to be able to use it instead of cutting off a skinny crooked piece and throwing it away.

I had several questions yesterday and the day before about seams being pressed open. In the Strips 'n Curves book this is the method used and Louisa has a neat tip to press them easily. In other quilts I press seams open when the pieces are small and/or when I think a lot of bulk will occur if I didn't do it. Back in the 1970's and 80's when we were using polyester batting and putting very little quilting in a quilt, the seams were always pressed to one side for strength. Also I believe hand quilters always press the seams to one side, again for strength. A seam that is pressed open is weaker. In the current time period we are using a lot more quilting on the quilts and the strength of the seam is not as much of an issue.

Have a great Sunday everyone!

35% off fabric sale for 2 days

Be sure to hop over to Quilternity's Place for a sale today and tomorrow only in honor of National Quilting day. Several of the fabrics here are previous purchases at her shop. Just click on the link on the right side of her screen where it says Please visit my website/shop, From Here to Quilternity.

Die cut fabrics layout, amaryllis, and a theory

Last night I finished laying out the corners of the quilt with the die cut pieces. I think I am going to sew this together because I doubt I can come up with anything else that I would like better. I sent such a variety of fabrics to be cut that it will never be more consistent in color areas than it is now. I started preparing for my next project and got out all of my batik 1.5" strips. I was horrified to see that I don't have anywhere near enough light fabrics cut. I was so sure there was a good variety in these boxes. I will have to spend a day cutting light fabrics before I can begin. (But I love to play with my fabrics and cut, so don't feel sorry for me).

Here is last year's amaryllis bulb blooming again this year. I have the pot sitting on the floor and the flower stem is taller than my window sills. It has 4 flowers on this stem.

Now I am going to try to explain why I thought my Strips 'n Curves quilt that I have shown every day this week was dull and needed a facelift. I will have to go back 25 years to an experience I had. I owned a quilt shop and I made a quilt out of all one fabric line and it hung on the back wall of the shop. One day one of my customers walked in and was looking at it from a distance and asked "Is that a printed sheet?". It taught me a lesson. When all of the fabrics in a quilt are too closely matched there is no life/interest point in it. Every fabric has the same exact flavor. That is why I never use all fabrics from the same line. This quilt that I made hit me with the same feeling as one all from the same fabric line.

The strip piecing in the Strips 'n Curves quilt was way too smooth of a blend. I have been doing colorwash quilts for 18 years and I tend to blend the fabrics too well and in this case it was a quilt that really needed a little texture in it. If you have a chance to look at the books Strips 'n Curves or a New Twist on Strips 'n Curves, you will see quilts with more variety in values and not such smooth blends.

I don't usually start out with one fabric and choose all of the others to match it but I did with this one. To me it was all over mush after it was pieced with no focal point. I know that statement is a little extreme but that is how unhappy I was with the pile of blocks. I feel that now the zebra print will be the focal point and the purple print will be the unexpected spark.

The moral of the story is (in my opinion) if you are decorating a room with a quilt, you may want a more matchy look. If you want to make exciting quilts (no room in mind for them) you may want some unusual combinations in color or texture of prints for the pure joy of making a work of art. I think you probably know that mine usually fall in that second category. So, all I really did was disappoint myself, and with 54 blocks made I felt I needed to "fix" it. It all goes back to my favorite quote "To thine own self be true" (Shakespeare). If you like them really matched, do that. If you like them bold, do that, etc.

As far as pressing seams open, this book called for that. I will talk more about this later.

Inserting the arcs

I had a question asked yesterday whether I am piecing the new arcs in or appliqueing them so here is the process. Here is a block with an arc just laid over the top of it. I removed the arc and chose the 2 acrylic Strips 'n Curves templates that are needed to cut the section out of the block.

I have cut along the edges of the 2 templates and removed the piece that is not needed.

One side of the arc is sewn to the block.

The other side of the arc is sewn in place.

The finished block, right side up, with the arc sewn in.

Here is a shot of the section where the arcs are all sewn into the blocks. If you compare it with yesterday's picture, you will see the arcs are skinnier now. Oops! Now that I look at it closer the purple arc in the lower right corner isn't sewn in yet so you can compare them right here.

One person commented that I must have one amazing stash to chose from. Well, yes I do. This purple print that I used is at least 12 years old, maybe a couple years older than that. I learned that not the same shade of purple (or yellow, etc.) was available every year so that if you wanted a full range of any color you had to start collecting and collect over quite a few years. I don't have very big pieces of any of them, usually 1/2 to 1 yard. Once in awhile I would hit a good sale and buy more, or find an unusual one that I knew I would need more of and buy 2-3 yards. I probably have 80 or more different pieces of purple, but small yardage of most.


Would anybody out there want to know why I thought this quilt was dull in the first place? Just another of my theories from 51 years of quilt making.

Decision made!

I have decided on this purple print as my fixer. Ellen left a comment yesterday that said all of the prints I had tried so far read as a solid even though they were prints. I knew that but it took that prodding to make me dig deeper into the purple bin to find a busier print. Click on the pictures for a closer view of the the print. It is a little more purple in person where it shows up a little bluer on the computer screen.

Below are the only pieces of the strata that are left after cutting the pieces for the quilt. I wish I had taken a picture of the full strata before it was cut.

I played a little more with the die cut pieces after I solved the other problem.

Today I will start cutting the Strips and Curves blocks so I can insert the new arcs. It will look different than it does now because the arcs will be skinnier without the seam allowances on them.